I am delighted to learn that THE WEEK is organising heritage awards with the guidance of an eminent panel.
My best wishes to the entire team.

India's heritage is incredibly rich and deserves to be preserved. I also understand that theweek.in will be launching a dedicated tourism page featuring a diverse collection of travelogues and other engaging stories for travellers.

Wishing THE WEEK great success in this initiative.

Suresh Gopi

Minister of State (Tourism, and Petroleum and Natural Gas)
Government of India

Award Category

  • Technology / Digital Award

    Award for use of new technologies for preservation and documentation of culture and heritage, and for creating awareness through innovations with light and sound, virtual interactive maps, augmented reality, geolocation.
    Who can apply: Central and State government bodies, NGOs.

  • Historical Tourism Award

    The Best Site, The Best City, The Best State. (An example for Best Site: Golconda Fort.) Who can apply: Central and State government bodies, NGOs.

  • Heritage Tourism Award

    (for the Best State promoting heritage tourism.)
    Who can apply: State tourism bodies.

  • Riverside Heritage Tourism Award

    (Example: Brahmaputra riverside tourism; properties at riverside preserving culture and heritage)
    Who can apply: Central and State government bodies, NGOs.

  • Best Tourist Circuit / Best Tourist Trail

    (Awards for states with best sites for pilgrimages)

  • Pilgrimage and Spiritual Tourism Award

    Who can apply: State governments.

  • Traditional Skills Award

    (For exponents of traditional art forms who impart their skills to others.)
    Who can apply: State governments, institutions such as Lalit Kala Akademi, groups of artists, NGOs.

  • Best Cultural Music Award

    (For musicians who train others in cultural music forms.)
    Who can apply: State governments, institutions such as Sangeet Natak Akademi, groups of artists, NGOs.

  • Crafts and Creativity Awards

    (For people skilled in handicrafts, weaving, etc.)
    Who can apply: State governments, State handicrafts bodies, institutions, groups of artisans, NGOs promoting cultural crafts.

  • The Best Eco-friendly State

    (Criteria include cleanliness and maintenance practices)
    Who can apply: State governments, NGOs.

  • Best Travel Operator

    Who can apply: Travel operators, institutions

  • Best Advertising Agency

    (Award for ad campaigns, ad films on tourism, etc.)
    Who can apply: Advertising agencies

  • Best Creative

    (Award for ad campaigns, ad films on tourism, etc.)
    Who can apply: Advertising agencies

Who can apply

State tourism boards

State government tourism bodies

Travel associations

Professionals from the heritage sectors

Travel writers & bloggers

Travel agents

Project Summary

The heritage or project brief:

  • What are the major actions taken to conserve the project and the key interventions undertaken?
  • What was the time taken to complete the project?
  • What was the scale (in size) and cost (in INR) of the project?
  • Who were the partners/stakeholders involved, including key institutional, corporate/commercial, community, and professional/technical partners?
  • What is the protection status of the property (e.g., provincial, national, World Heritage site) and how did the project comply with heritage regulations?
  • Provide a detailed description of the cultural heritage property, including its background, historical context, and origin (e.g., if it is a built structure, when it was erected and for what purposes).
  • Elaborate on the individual heritage values (cultural, social, historical, architectural, scientific, spiritual, etc.) and explain how these values are conveyed in physical and non-physical attributes, including the significance to the surrounding community.
  • Describe the condition of the cultural heritage property before conservation, detailing physical features, layout, setting, structural stability, finishes, and, if applicable, the condition of its interior, exterior, and site context.
  • Explain the factors affecting the condition of the heritage property prior to conservation (e.g., Structural factors (material deterioration, etc.) Environmental factors (extreme weather conditions, erosion, effects of climate change or natural disasters, etc.) Biological factors (weeds, pests, micro-organisms, etc.) Social factors (improper use, vandalism, politically motivated acts, insurgencies, armed conflict, etc.)Management and institutional factors (ownership issues, neglect, lack of maintenance, inappropriate conservation, tourism impact, community development, etc.) Economic factors (funding, monetary issues, etc.).and describe any ongoing factors and how they will be addressed in the future.

Detailed description of the conservation or promotion work:

  • Outline the conservation philosophy and principles used, referencing relevant guidelines and charters. (e.g.international/national guidelines, international charters, conservation publications, etc.).
  • Describe the project’s implementation methodology, including any time-phased approach.
  • Confirm that the project complies with all existing heritage legislation and regulations.
  • Demonstrate a clear understanding of the site's cultural, social, historical, architectural, scientific, and spiritual significance.
  • Explain how the conservation work sustains local community values and communicates the site's significance through interpretative tools like signage, brochures, publications, exhibitions, event programmes, and guided tours.

Technical Achievements:

  • Evaluate how the project addressed technical issues in conservation/restoration and the research conducted.
  • Describe the building’s structural systems, including its evolution and decay.
  • Outline the artisan and conservation techniques employed, including traditional building practices and quality assurance measures (e.g., sourcing skilled craftspeople, training).
  • Detail the materials used in the conservation process, the rationale behind their selection, and the use of local/traditional versus new materials.

Sustainability:

  • Describe the extent of local community engagement and their contributions in the conservation process.
  • Explain how the project enhances environmental sustainability and resilience through long-term maintenance, strategic planning, and measures such as energy efficiency, climate change mitigation, and disaster risk reduction.
  • Outline the funding and financing approach, including whether it is a public-private initiative.

Community’s Socio-Economic Wellbeing:

  • Describe how the project contributes to the local community’s socio-economic well being and cultural continuity, addresses development needs, and safeguards local knowledge.
  • Explain whether the project has influenced conservation practices and policies at local, national, or regional levels, attracted media attention, raised awareness for heritage conservation, or received official recognition.

Photos /Drawings/Documents:

  • Include visual documentation such as photos and drawings.
  • Provide maps showing the project location (city, state, etc.), for example, an aerial photograph.
  • For building projects, include detailed site plans, floor plans, and sections (pre- and post-conservation), along with a digital version on a USB.

Jury Members

Arvind Singh

Tourism Secretary (retd), Government of India

Ashwani Lohani

Former CMD, ITDC

Ratish Nanda

CEO, Aga Khan Trust for Culture India

Pratul Sharma

Senior Assistant Editor, THE WEEK

UNESCO World Heritage Sites

MOIDAMS – THE MOUND-BURIAL SYSTEM OF THE AHOM DYNASTY (2024)

Location: Assam, India

Situated at the foothills of the Patkai Ranges in eastern Assam, Moidams are royal necropolises of the Tai-Ahom dynasty. These mound-burial structures hold profound cultural and spiritual significance for the Tai-Ahom community.

Sacred Ensembles of the Hoysalas (2023)

Location: Karnataka

The Hoysala temples, including the Chennakesava, Hoysaleswara, and Keshava temples, are known for their detailed carvings, star-shaped layouts, and detailed sculptures, showcasing a distinct form of Dravidian temple architecture.

Santiniketan (2023)

Location: West Bengal

Founded by Rabindranath Tagore, Santiniketan later became Visva-Bharati University. It emphasises cultural interchange, art, and education, blending Indian traditions with global influences in architecture and philosophy.

Dholavira: A HARAPPAN CITY (2021)

Location: Dholavira, Gujarat

Discovered in 1968, Dholavira is one of the largest cities of the Indus Valley Civilisation. Known for its advanced water management systems, security features, and extensive use of stone in construction, it is a remarkable testament to Harappan ingenuity.

KAKATIYA RUDRESHWARA (RAMAPPA) TEMPLE, TELANGANA (2021)

Location: Hyderabad, Telangana,

Built during the Kakatiya period by rulers Rudradeva and Recharla Rudra, the Ramappa Temple is notable for its intricate cravings and lightweight floating bricks used in its pyramidal vimana. The sandstone temple is a masterpiece of medieval architecture.

JAIPUR CITY, RAJASTHAN (2019)

Location: Jaipur, Rajasthan

Founded in 1727 by Sawai Jai Singh II, Jaipur stands out as a planned city designed using a grid layout inspired by Vedic architecture. Originally established as a commercial hub, Jaipur has preserved its artisanal and trade traditions over centuries.

Victorian Gothic and Art Deco Ensembles of Mumbai (2018)

Location: Mumbai, Maharashtra

This architectural ensemble, which includes icons like the Chhatrapati Shivaji Maharaj Terminus and Marine Drive, combines 19th-century Victorian Gothic architecture and 20th-century Art Deco styles, reflecting Mumbai's colonial and modern heritage.

HISTORIC CITY OF AHMADABAD (2017)

Location: Ahmedabad, India

Founded in the 15th century by Sultan Ahmad Shah, the walled city of Ahmedabad, on the eastern bank of the Sabarmati River, showcases a rich architectural heritage from the sultanate era.

ARCHAEOLOGICAL SITE OF NALANDA MAHAVIHARA (2016)

Location: Nalanda, Bihar

Situated about 88km from Patna, the Nalanda Mahavihara was founded in the 5th century CE by Kumargupta I of the Gupta dynasty. This site served as a significant centre of learning and is one of India’s most important archaeological landmarks.

The Architectural Work of Le Corbusier, an Outstanding Contribution to the Modern Movement (2016)

Location: Chandigarh

Le Corbusier's urban planning for Chandigarh, including the Capitol Complex, represents modernist design that combines functionality and and aesthetics in post-independent India.

Rani-ki-Vav (the Queen’s Stepwell) at Patan, Gujarat (2014)

Location: Patan, Gujarat

Built in the 11th century by Rani Udaymati, the intricately carved stepwell on the banks of the Saraswati River is a stunning example of Maru-Gurjara architecture. It serves as both a water reservoir and an underground shrine.

HILL FORTS OF RAJASTHAN (2013)

Location: Rajasthan, India

Located in Rajasthan, this UNESCO site comprises six grand forts in Chittorgarh, Kumbhalgarh, Sawai Madhopur, Jhalawar, Jaipur, and Jaisalmer. These forts encompass urban centres, temples, and trading hubs, reflecting a rich courtly culture of learning, music, and art.

The Jantar Mantar, Jaipur (2010)

Location: Jaipur, Rajasthan

Built by Maharaja Jai Singh II in 1734, this astronomical observatory features massive stone equipment for celestial observations, demonstrating India's advanced scientific tradition.

Mountain Railways of India (1999, 2005, 2008)

Location: Darjeeling (West Bengal), Nilgiri (Tamil Nadu), Kalka-Shimla (Himachal Pradesh)

A historic network of narrow-gauge trains built under British rule, these engineering marvels traverse rugged mountain terrain, giving out spectacular views while preserving the legacy of colonial-era railways.

Red Fort Complex (2007)

Location: Delhi

This magnificent fort, built by Muglal emperor Shah Jahan in 1648 is a symbol of Mughal architectural brilliance. Iconic structures inside the complex include Diwan-i-Aam, Diwan-i-Khas, and the Moti Masjid.

CHAMPANER-PAVAGADH ARCHAEOLOGICAL PARK (2004)

Location: Panchmahal, Gujarat

Founded by Sultan Mahmud Begda, this site features monuments on Pavagadh Hill, rising 800 meters above the surrounding plain. Its attractions include palaces, mosques, temples, gateways, wells, and reservoirs, offering a unique blend of natural and historical significance.

CHHATRAPATI SHIVAJI TERMINUS (FORMERLY VICTORIA TERMINUS) (2004)

Location: Fort, Mumbai, Maharashtra

Designed by British architect F.W. Stevens, this iconic structure was completed in 1888 after ten years of construction. With its stained-glass windows, domed arches, and intricately carved pillars, it reflects a blend of Victorian Gothic and Indian palace architecture.

GREAT LIVING CHOLA TEMPLES (1987, 2004)

Location: Tamil Nadu

Built by the Chola dynasty between the 10th and 12th centuries, the Brihadeeswarar Temple (Thanjavur), Gangaikondacholeswaram Temple (Gangaikondacholapuram), and Airavatesvara Temple (Darasuram) stand as monumental testaments to Chola architectural and artistic brilliance.

Rock Shelters of Bhimbetka (2003)

Location: Madhya Pradesh

This archeological site contains prehistoric rock paintings from the Paleolithic period and the Mesolithic period. The shelters provide insights into early human settlements and artistic expression in India.

MAHABODHI TEMPLE COMPLEX AT BODH GAYA (2002)

Location: Bodh Gaya, Bihar

The Mahabodhi Temple Complex is one of the four sacred sites associated with the life of Lord Buddha. It marks the location of his enlightenment and is revered as a pilgrimage destination by Buddhists worldwide.

HUMAYUN’S TOMB, DELHI (1993)

Location: New Delhi, Delhi

Built in 1570, Humayun’s Tomb was the first garden-tomb in the Indian subcontinent and served as a precursor to Taj Mahal. A collaboration between Persian and Indian craftsmen, it influenced subsequent Mughal architectural innovations.

Qutb Minar and its Monuments, Delhi (1993)

Location: Delhi

The Qutb Minar, a 73-metre-high red sandstone tower, is a masterpiece of Indo-Islamic architecture. Surrounding landmarks such as the Quwwat-ul-Islam Mosque and the Iron Pillar, showcase Delhi's rich historical and cultural heritage.

BUDDHIST MONUMENTS AT SANCHI (1989)

Location: Sanchi, Madhya Pradesh

The village of Sanchi is famous for its ancient Buddhist monuments, which date from the 3rd century BCE to the 12th century CE. The Great Stupa, built by Emperor Ashoka, stands on a 300-foot-high hill on the banks of the Betwa River.

ELEPHANTA CAVES (1987)

Location: East of Mumbai Harbour, Maharashtra

Located on an island in the Arabian Sea near Mumbai, the Elephanta Caves house magnificent sculptures, including the Ardhanarishvara statue and depictions of Shiva’s life. Most sculptures date back to the Silhara dynasty (9th to 13th centuries).

GROUP OF MONUMENTS AT PATTADAKAL(1987)

Location: Pattadakal, Karnataka

Pattadakal (Pattadakallu), also known as Raktapura, is a 7th-8th century CE complex in Northern Karnataka. Described by UNESCO as a fusion of northern and southern Indian architecture, it represents the pinnacle of eclectic art.

CHURCHES AND CONVENTS OF GOA (1986)

Location: Goa

These churches and convents, remnants of Portuguese colonial rule, showcase Portuguese architectural styles and Christian heritage in India. They were inscribed as a UNESCO World Heritage Site in 1986.

GROUP OF MONUMENTS AT HAMPI (1986)

Location: Hampi, Karnataka

Hampi, also known as the Hampi Group of Monuments, was once the grand capital of the Vijayanagar Empire. Nestled along the Tungabhadra River amid rocky hills, Hampi’s ruins reflect its historical and architectural legacy.

FATEHPUR SIKRI (1986)

Location: Uttar Pradesh

Fatehpur Sikri, built by Mughal Emperor Akbar, symbolises the architectural and cultural grandeur of the Mughal Empire. Its intricately carved walls and ornate decorations exemplify artistic brilliance.

KHAJURAHO GROUP OF MONUMENTS (1986)

Location: Khajuraho, Madhya Pradesh

Constructed during the 10th and 11th centuries by the Chandella dynasty, the temples at Khujuraho represents the zenith of northern Indian temple architecture. The towering central spire, flanked by smaller spires, epitomises architectural brilliance.

GROUP OF MONUMENTS AT MAHABALIPURAM (1984)

Location: Mahabalipuram, Tamil Nadu

Formerly a thriving Pallava port city, Mahabalipuram features monuments such as rock-cut cave temples, monolithic shrines, bas-relief sculptures, and structural temples, along with excavated temple remains. The Shore Temple, adorned with thousands of sculptures, stands as a tribute to Lord Shiva.

Sun Temple, Konârak (1984)

Location: Odisha

Built in the 13th century by King Narasimhadeva I, this chariot-shaped temple is devoted to the Sun God Surya. Its exquisite carvings depict celestial and mythological themes, making it a masterpiece of Kalinga architecture.

Taj Mahal (1983)

Location: Agra, Uttar Pradesh.

This white marble monument, commissioned by Emperor Shah Jahan in memory of his wife Mumtaz Mahal, is a Mughal architectural masterpiece that symbolises eternal love incorporating Persian, Indian, and Islamic influences.

AJANTA CAVES (1983)

Location: Aurangabad District, Maharashtra

The Ajanta Caves are renowned for their breathtaking Buddhist sculptures and murals, portraying the life of Buddha and showcasing India’s ancient artistic brilliance. These 30 cave paintings were carved into rock between the 2nd century BCE and the 6th century CE.

ELLORA CAVES (1983)

Location: Aurangabad, Maharashtra

The Ellora Caves, a UNESCO World Heritage Site, comprise 34 caves built between the 4th and 9th centuries CE. These caves reflect religious harmony, with 12 Buddhist, 17 Hindu, and 5 Jain structures featuring intricate carvings and towering sculptures.

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